Tag Archives: mrsdalloway

Septimus

  • Who is Septimus Smith? What is distinctive about his inner landscape? Why might Woolf have chosen to feature this kind of character in her novel?

Septimus was introduced to the reader as a passerby when the car started making a loud noise. He is a World War 1 veteran with mental health issues that aren’t said but showed through his actions, his wife’s actions and the fact that his wife is trying to seek help from psychiatrists. His inner landscape is definitely different from the typical character. He experiences PTSD (post-traumatic stress disorder), shell shock, in the novel, though it is not named. He seems to live and exist in his own world, where more often than not, people are against him or attacking him— ‘people’ being the ghost of his late friend that passed in the war, Evans, that he sees from time to time, and the constant feeling that people are watching him and judging him. Septimus has removed himself from the physical world and instead lives in a world inside himself where he then sees and hears things that aren’t there in real life. What is noticeable about his thoughts is that he seems to notice the beauty in the world yet at the same time, Septimus is bothered and fears that human beings don’t have the capacity for honesty or kindness. His detachment from the world enables him to judge people in a harsher manner than Clarrisa, for example, and sees the world as threatening and offers little hope.

Though on surface level they seem very, very different, Clarissa and Septimus share many similarities. Both have a love for Shakespeare, have a fear for oppression, and even their noses share a similarity. Their differences in class, however, help the novel offer contrast between the ideas of struggle in the working class (that of Septimus being in the working class and a veteran) and the ignorance of the upper class to such struggles and even the horrors of war—something Septimus is familiar with, unfortunately, and Clarissa will likely never know. Ultimately, Septimus chooses to kill himself, which then becomes a topic at her party which she originally really dislikes because the wife of the doctor brought ‘death’ to her party by bringing up his suicide. Woolf’s choice to bring in Septimus’ character could be to provide a parallel to Clarissa’s character and thoughts. Septimus is so similar to Clarissa but the difference in their endings to the novel as well as the differences in their lives’ realities offer a comparison that the reader will be able to see if reading closely. Although they are both this similar, the differences in the pressures of their lives made the divide between them even greater. Living a working class life with the experiences of war embedded in your memories and your daily life cannot compare to that of a wealthy housewife getting ready for a dinner party. Septimus’ inner and outer struggle to free himself from the shackles of the trauma he faced shone light into the possibility of perhaps understanding mental illnesses more and thus being more understanding of those suffering from it on a daily basis, especially because Woolf herself fell victim to mental illness as well.

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Woolf’s “Legacy” and the kerb

In reading Mrs. Dalloway, I have always kept Woolf’s short story “The Legacy” in the back of my mind. In the short story, Gilbert Clandon, a wealthy politician, is clearing the effects of his wife, Angela. However, it’s strange that Angela has taken the time before her death to leave items for her loved ones and friends: “It was as if she had foreseen her death. Yet she had been in perfect health when she left the house that morning, six weeks ago; when she stepped off the kerb in Piccadilly and the car had killed her.” Curious as to what his wife has left him, Gilbert notes that it was probably nothing, save for her volumes of diaries, which have been the subject of arguments in the past. He notes that Angela was always against him reading her writings, saying that it should wait until “‘After I’m dead—perhaps.’ So she had left it him, as her legacy. It was the only thing they had not shared when she was alive.” As he reads her diaries and letters, he finds that Angela starts out praising her husband, but stops mentioning him as she begins communicating with a mysterious B.M., who is eventually revealed to be the late brother of Angela’s secretary, Sissy Miller. The “legacy” she left Gilbert in her diaries was the fact that she had stepped off the kerb to kill herself and rejoin her lover—and to escape her marriage.

Though the kerb is only explicitly mentioned twice in the novel, my reading of “The Legacy” has added a new dimension to how I interpreted the two scenes. In the first mention of the kerb, as Clarissa set out to buy flowers, “she stiffened a little on the kerb, waiting for Durtnall’s van to pass” (p. 4). As she she waited on the kerb, the letters which Peter wrote her occupied her mind. The kerb is mentioned a second time when Peter follows a young woman, after visiting Clarissa. As she “waited at the kerbstone,” Peter thinks that “there was a dignity about her She was not worldly, like Clarissa; not rich, like Clarissa” (p. 53). In both these instances, Clarissa and Peter have each other on their minds—the kerb serves as a place for them to consider the other.

It’s interesting to see the similarities between the relationships of the characters in Mrs. Dalloway and “The Legacy.” Clarissa, like Angela, is married to a wealthy politician who is not exactly the most present husband. The two women are not entirely happy with their marriages, and there is another man who serves as a “what-if” to the married women. However, what’s different about the two is that Clarissa has come to terms with her marriage. She has a daughter with Richard (Angela notes in her diary that she wishes she had a child with Gilbert), and realizes that though she may not be happy with her marriage, she is at the very least content. In the moment that Clarissa and Peter share a kiss (p. 47), Clarissa has a moment of doubt. She thinks that if she had married Peter, happiness could have been hers forever, and she thinks of running off with Peter—only to be grounded by the appearance of Elizabeth, her daughter.

The similarity of Woolf’s use of the kerb as a literary device in Mrs. Dalloway and “The Legacy” leads me to think the following: firstly, could Angela be Clarissa? I once read somewhere that Woolf’s original plan for the novel was for Clarissa to die by suicide during the dinner party, and that Septimus would not appear in the novel. What would the effect of this have been—would we read it like “The Legacy,” that Clarissa seeks to escape her marriage? Secondly, the kerb as a literary device: the act of waiting on the kerb and stepping off it presents us with a sense of limbo—yet, why is it only women (Angela, Clarissa, the woman Peter watches) who wait at the kerb? Angela steps off the kerb to be hit by a car, Clarissa stiffens as a van passes; there is no mention of a vehicle with the woman Peter follows. What is the effect of Woolf’s placing of women at the kerb, and how do these three instances of being at the kerb, and varying appearances of a vehicle create distinct visions of life and death?

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Clarissa’s Love Chronicles

Clarissa and Peter, despite their differences and self assured proclamations that they’re both better off being in the romantic relationships they are now, then if they have gotten together, have cared deeply for one another for decades. Peter’s every thought and conversation leads back to only Clarissa. He compares every relationship he has to her and is consumed by his feelings for her, but those feelings don’t seem to be real love. It is a nostalgic sentiment of his youth, a time where adulthood felt so far off in the future, when he could afford to be carefree and imprudent. Now as a grown man, Peter aches for that time in his life which he associates with the girl he loved back then. Clarissa also doesn’t love Peter in the traditional sense of the word. It’s hard to link Clarissa with any real romantic involvement at all really. Her relationship with Sally was more entwined with the urge to feel a sense of freedom and self identity. She loved the person she was when she was with her. Her relationship with Peter is also related to her attachment to her youth. Even though Richard has now proven himself to be an underwhelming choice for a life partner, Clarissa still believes she made the right choice by not marrying the intense and impulsive Peter. She may have had feelings for Richard back in the day, but now that their marriage is failing and they are sleeping in two different beds, there is no love in that relationship either. 

She never talks about pure, romantic love in relation to a person, for her the feelings of love and true affection are explored and exhibited via inanimate objects. She loves Big Ben and its loud, musical strikes, as well as taking long walks around Bond Street and simply living and being free. (“I love walking in London” p. 5) She loves observing the buzz of the city after the war, watching it spring back to life, people watching and visiting shops. “For Heaven only knows why one loves it so… she felt positive, by Acts of Parliament for the very reason: they love life” (p. 4). It is hinted that Richard cheats on his wife, but Clarissa still stays with him due to a sense of marital obligation, which is a big difference if compared to Ida from What Maisie Knew, who was dubbed a modern woman for her decision to divorce her husband. 

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